Not long, however, after Zarathustra had freed himself from the magician, he again saw a person sitting beside the path which he followed, namely a tall, black man, with a haggard, pale countenance: THIS MAN grieved him exceedingly. “Alas,” said he to his heart, “there sitteth disguised affliction; methinketh he is of the type of the priests: what do THEY want in my domain?
What! Hardly have I escaped from that magician, and must another necromancer again run across my path,—
—Some sorcerer with laying-on-of-hands, some sombre wonder-worker by the grace of God, some anointed world-maligner, whom, may the devil take!
But the devil is never at the place which would be his right place: he always cometh too late, that cursed dwarf and club-foot!”—
Thus cursed Zarathustra impatiently in his heart, and considered how with averted look he might slip past the black man. But behold, it came about otherwise. For at the same moment had the sitting one already perceived him; and not unlike one whom an unexpected happiness overtaketh, he sprang to his feet, and went straight towards Zarathustra.
What the critics said
Ludovici explains the last pope's story as Nietzsche's history of Judaism and Christianity: the jealous, revengeful God of a strong warlike race degenerates with his people into a soft, pitiful God of love who sacrifices his Son for us, and this process ends in his being suffocated by his own pity.