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Thus Spake ZarathustraIdeasLibrary
Fourth and Last Part · LXV. The Magician

No great man in the kingdom of the populace

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—And here there arose a long silence between them: Zarathustra, however, became profoundly absorbed in thought, so that he shut his eyes. But afterwards coming back to the situation, he grasped the hand of the magician, and said, full of politeness and policy:

“Well! Up thither leadeth the way, there is the cave of Zarathustra. In it mayest thou seek him whom thou wouldst fain find.

And ask counsel of mine animals, mine eagle and my serpent: they shall help thee to seek. My cave however is large.

I myself, to be sure—I have as yet seen no great man. That which is great, the acutest eye is at present insensible to it. It is the kingdom of the populace.

Many a one have I found who stretched and inflated himself, and the people cried: ‘Behold; a great man!’ But what good do all bellows do! The wind cometh out at last.

At last bursteth the frog which hath inflated itself too long: then cometh out the wind. To prick a swollen one in the belly, I call good pastime. Hear that, ye boys!

Our to-day is of the populace: who still KNOWETH what is great and what is small! Who could there seek successfully for greatness! A fool only: it succeedeth with fools.

Thou seekest for great men, thou strange fool? Who TAUGHT that to thee? Is to-day the time for it? Oh, thou bad seeker, why dost thou—tempt me?”—

Thus spake Zarathustra, comforted in his heart, and went laughing on his way.

Zarathustra, after a long silence, points the magician to his cave and his animals. He says he has seen no great man, only inflated frogs, and goes on laughing, comforted.

Commentary on this chapter

What the critics said

The magician as WagnerAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909biography

Ludovici argues that the magician is Wagner, recounting Nietzsche's youthful idealisation of him and the bitter break, and reads the dialogue as exposing what Nietzsche came to loathe in Wagner: his histrionics, vanity, equivocation and falseness, though Zarathustra still treats him as a higher man broken by modern values.

The magician as WagnerAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909biography

Ludovici argues that the magician is Wagner, recounting Nietzsche's youthful idealisation of him and the bitter break, and reads the dialogue as exposing what Nietzsche came to loathe in Wagner: his histrionics, vanity, equivocation and falseness, though Zarathustra still treats him as a higher man broken by modern values.