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Fourth and Last Part · LXXIII. The Higher Man

The laughing storm; the crown is cast

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Do like unto the wind when it rusheth forth from its mountain-caves: unto its own piping will it dance; the seas tremble and leap under its footsteps.

That which giveth wings to asses, that which milketh the lionesses:— praised be that good, unruly spirit, which cometh like a hurricane unto all the present and unto all the populace,—

—Which is hostile to thistle-heads and puzzle-heads, and to all withered leaves and weeds:—praised be this wild, good, free spirit of the storm, which danceth upon fens and afflictions, as upon meadows!

Which hateth the consumptive populace-dogs, and all the ill-constituted, sullen brood:—praised be this spirit of all free spirits, the laughing storm, which bloweth dust into the eyes of all the melanopic and melancholic!

Ye higher men, the worst thing in you is that ye have none of you learned to dance as ye ought to dance—to dance beyond yourselves! What doth it matter that ye have failed!

How many things are still possible! So LEARN to laugh beyond yourselves! Lift up your hearts, ye good dancers, high! higher! And do not forget the good laughter!

This crown of the laughter, this rose-garland crown: to you my brethren do I cast this crown! Laughing have I consecrated; ye higher men, LEARN, I pray you—to laugh!

Zarathustra praises the wild spirit of the storm that dances upon fens and blows dust into the eyes of the melancholic. He ends by casting the crown of laughter to the higher men and bidding them learn to laugh.

Commentary on this chapter

What the critics said

Equality and the death of GodH. L. Mencken · The Philosophy of Friedrich Nietzsche, 1908interpretation

Mencken argues, quoting Zarathustra's reply to the market-place crowd that God is dead, that belief in equality and brotherhood is the mob-morality of the ancient Jews credited to their god, and that since educated men no longer believe in that god it is ridiculous to keep the ethics grounded on him.

Portrait of the supermanH. L. Mencken · The Philosophy of Friedrich Nietzsche, 1908interpretation

Mencken argues that the superman will be perfect in body and mind, delight in combat, say yes to life's pleasures and ills, be scornful, merciless and free of fear of gods and laws, owe nothing to his neighbours and sacrifice himself only for generations unborn; he will distinguish instinct from passion and renounce from expediency, as Zarathustra's sayings to the brethren and to the higher men are taken to show.

The noble wickedness of higher menAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909interpretation

Ludovici argues that depriving a higher man of his so-called wickedness may do violence to the greatest in him, and that the noblest wickedness, that of courage and determination, is vanishing under slave-moralities, which is why Nietzsche cried that man's baddest is so small and that to be brave is good.

A hard bed for higher menAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909interpretation

Ludovici holds that Zarathustra's greeting confirms his thesis that the philosophy aims to give higher men the great hope, but harshly: Nietzsche would be a hard bed to higher men, making them harder, not easing their way.

The higher the type, the rarer successAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909interpretation

Ludovici calls Nietzsche's principle that the higher the type the seldomer it succeeds very important: the most deplorable waste is among higher individuals, because highly organised beings rarely reach full development, so the blind will to power in nature needs direction by man.

Learn to laughAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909exposition

Ludovici explains that the closing paragraphs of 'The Higher Man' protest against democratic seriousness: all that is good is cheerful, being able to joke about one's deepest feelings tests their value, and the greatest sin was the word 'Woe unto them that laugh now!'

Learn to laughAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909exposition

Ludovici explains that the closing paragraphs of 'The Higher Man' protest against democratic seriousness: all that is good is cheerful, being able to joke about one's deepest feelings tests their value, and the greatest sin was the word 'Woe unto them that laugh now!'