There was it also where I picked up from the path the word “Superman,” and that man is something that must be surpassed.
—That man is a bridge and not a goal—rejoicing over his noontides and evenings, as advances to new rosy dawns:
—The Zarathustra word of the great noontide, and whatever else I have hung up over men like purple evening-afterglows.
Verily, also new stars did I make them see, along with new nights; and over cloud and day and night, did I spread out laughter like a gay-coloured canopy.
I taught them all MY poetisation and aspiration: to compose and collect into unity what is fragment in man, and riddle and fearful chance;—
—As composer, riddle-reader, and redeemer of chance, did I teach them to create the future, and all that HATH BEEN—to redeem by creating.
The past of man to redeem, and every “It was” to transform, until the Will saith: “But so did I will it! So shall I will it—”
—This did I call redemption; this alone taught I them to call redemption.—
Now do I await MY redemption—that I may go unto them for the last time.
For once more will I go unto men: AMONGST them will my sun set; in dying will I give them my choicest gift!
From the sun did I learn this, when it goeth down, the exuberant one: gold doth it then pour into the sea, out of inexhaustible riches,—
—So that the poorest fisherman roweth even with GOLDEN oars! For this did I once see, and did not tire of weeping in beholding it.—
Like the sun will also Zarathustra go down: now sitteth he here and waiteth, old broken tables around him, and also new tables—half-written.
Nietzsche elsewhere
Nietzsche says that 'The Night-Song' was composed in Rome above the Piazza Barberini, the second part in ten days at Sils, the third at Nice, with 'Old and New Tables' composed on the climb from the station to Eza, each part taking no more than ten days; his creative energy coincided with great bodily vigour, dancing, walking and laughter.
Nietzsche says that Zarathustra stands alone, born of superabundant strength, his concept 'Dionysian' become the highest deed; in it man is constantly overcome, the Superman becomes the greatest reality, all contradictions are bound into a new unity in this most yea-saying spirit, and Zarathustra defines the highest of all living things as the soul with the longest ladder.
Nietzsche says that for Zarathustra man is neither an object of love nor of pity but raw material, an ugly stone for the sculptor's chisel, quoting the passage where the creative will drives the hammer against the stone to free the Superman's image; a Dionysian task needs the hardness of the hammer and the joy even of destruction, 'all creators are hard'.
Nietzsche says that the command 'Harden yourselves!' and the conviction that all creators are hard are the distinctive sign of a Dionysian nature.
Nietzsche says that as immoralist he denies both the 'good' man and Christian morality; the good exist through falsehood, refusing to see reality and treating distress as an objection, and Zarathustra therefore calls them the last men and the beginning of the end, who crucify the writer of new values and are the most detrimental of men.
Nietzsche says that as immoralist he denies both the 'good' man and Christian morality; the good exist through falsehood, refusing to see reality and treating distress as an objection, and Zarathustra therefore calls them the last men and the beginning of the end, who crucify the writer of new values and are the most detrimental of men.