“But joys all want eternity—
Midnight's voice says that joys all want eternity, in answer to woe's cry 'Hence! Go!'
- Eternal recurrenceThe line gives joy's demand for eternity, which is the root of the wish for recurrence.
“But joys all want eternity—
Midnight's voice says that joys all want eternity, in answer to woe's cry 'Hence! Go!'
This is an experiment in interactive reading, and in using AI to help you grow. Thus Spake Zarathustra is notoriously difficult for a modern reader; yet taken as a set of mental exercises, it is guaranteed to transform your thinking by the time you reach the end. Along the way you will have help from the companion, who is always beside the book.
Do you accept the challenge?
What the critics said
Brandes defines dance in Nietzsche's language as the lofty lightness of mind exalted above the gravity of earth and all stupid seriousness, introducing the Second Dance Song in which Zarathustra dances with Life as a woman.
Brandes says that the midnight clock's song closing the Second Dance Song, interpreted line by line in Part IV, concentrates Nietzsche's esoteric doctrine in its shortest formula: joy and woe are inseparable, saying Yea to one joy is saying Yea to all woe, and all joy wants deep eternity.
Brandes says that the midnight clock's song closing the Second Dance Song, interpreted line by line in Part IV, concentrates Nietzsche's esoteric doctrine in its shortest formula: joy and woe are inseparable, saying Yea to one joy is saying Yea to all woe, and all joy wants deep eternity.