My mouthpiece—is of the people: too coarsely and cordially do I talk for Angora rabbits. And still stranger soundeth my word unto all ink-fish and pen-foxes.
My hand—is a fool’s hand: woe unto all tables and walls, and whatever hath room for fool’s sketching, fool’s scrawling!
My foot—is a horse-foot; therewith do I trample and trot over stick and stone, in the fields up and down, and am bedevilled with delight in all fast racing.
My stomach—is surely an eagle’s stomach? For it preferreth lamb’s flesh. Certainly it is a bird’s stomach.
Nourished with innocent things, and with few, ready and impatient to fly, to fly away—that is now my nature: why should there not be something of bird-nature therein!
And especially that I am hostile to the spirit of gravity, that is bird-nature:—verily, deadly hostile, supremely hostile, originally hostile! Oh, whither hath my hostility not flown and misflown!
Thereof could I sing a song—and WILL sing it: though I be alone in an empty house, and must sing it to mine own ears.
Other singers are there, to be sure, to whom only the full house maketh the voice soft, the hand eloquent, the eye expressive, the heart wakeful:—those do I not resemble.—
What the critics said
Mencken argues that Nietzsche offers a gospel of intelligent selfishness and absolute individualism, citing Zarathustra on loving oneself rather than one's neighbour, and an aristocracy that sacrifices the masses as scaffolding for a higher race under the law of natural selection.
Ludovici says the sublime ones are a type Nietzsche did not wholly dislike but who take life too seriously and never surmount the camel stage; real greatness is to speak of lofty things without being oppressed by them, and Nietzsche breaks old things not with the anarchist's irreverence but with the fingers of an artist at ease with beauty, guided by his own taste.
Ludovici explains the doctrine of self-love in 'The Spirit of Gravity' as a response to modern man's terror of being alone with himself, which betrays self-contempt, so that learning to love oneself requires a slow inner transformation; and he notes that Nietzsche does not coerce but says 'This is my way, where is yours?'
Ludovici explains the doctrine of self-love in 'The Spirit of Gravity' as a response to modern man's terror of being alone with himself, which betrays self-contempt, so that learning to love oneself requires a slow inner transformation; and he notes that Nietzsche does not coerce but says 'This is my way, where is yours?'