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Fourth and Last Part · LXXX. The Sign

My children are nigh

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When all this went on Zarathustra spake only a word: “MY CHILDREN ARE NIGH, MY CHILDREN”—, then he became quite mute. His heart, however, was loosed, and from his eyes there dropped down tears and fell upon his hands. And he took no further notice of anything, but sat there motionless, without repelling the animals further. Then flew the doves to and fro, and perched on his shoulder, and caressed his white hair, and did not tire of their tenderness and joyousness. The strong lion, however, licked always the tears that fell on Zarathustra’s hands, and roared and growled shyly. Thus did these animals do.—

Zarathustra's only words on seeing the lion and doves.

Commentary on this chapter

What the critics said

The sign: lion, doves, farewell to higher menAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909interpretation

Ludovici reads 'The Sign' as Nietzsche's final dissociation from the higher men: the lion and doves show that he unites great power and tenderness and has mastered the terrible in nature, for which the higher men are unready, and he turns from fellow-suffering to his work and the great noonday.

The sign: lion, doves, farewell to higher menAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909interpretation

Ludovici reads 'The Sign' as Nietzsche's final dissociation from the higher men: the lion and doves show that he unites great power and tenderness and has mastered the terrible in nature, for which the higher men are unready, and he turns from fellow-suffering to his work and the great noonday.

The sign: lion, doves, farewell to higher menAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909interpretation

Ludovici reads 'The Sign' as Nietzsche's final dissociation from the higher men: the lion and doves show that he unites great power and tenderness and has mastered the terrible in nature, for which the higher men are unready, and he turns from fellow-suffering to his work and the great noonday.