In the morning, however, after this night, Zarathustra jumped up from his couch, and, having girded his loins, he came out of his cave glowing and strong, like a morning sun coming out of gloomy mountains.
“Thou great star,” spake he, as he had spoken once before, “thou deep eye of happiness, what would be all thy happiness if thou hadst not THOSE for whom thou shinest!
And if they remained in their chambers whilst thou art already awake, and comest and bestowest and distributest, how would thy proud modesty upbraid for it!
Well! they still sleep, these higher men, whilst _I_ am awake: THEY are not my proper companions! Not for them do I wait here in my mountains.
At my work I want to be, at my day: but they understand not what are the signs of my morning, my step—is not for them the awakening-call.
They still sleep in my cave; their dream still drinketh at my drunken songs. The audient ear for ME—the OBEDIENT ear, is yet lacking in their limbs.”
—This had Zarathustra spoken to his heart when the sun arose: then looked he inquiringly aloft, for he heard above him the sharp call of his eagle. “Well!” called he upwards, “thus is it pleasing and proper to me. Mine animals are awake, for I am awake.
Mine eagle is awake, and like me honoureth the sun. With eagle-talons doth it grasp at the new light. Ye are my proper animals; I love you.
But still do I lack my proper men!”—
What the critics said
Ludovici reads 'The Sign' as Nietzsche's final dissociation from the higher men: the lion and doves show that he unites great power and tenderness and has mastered the terrible in nature, for which the higher men are unready, and he turns from fellow-suffering to his work and the great noonday.
Ludovici reads 'The Sign' as Nietzsche's final dissociation from the higher men: the lion and doves show that he unites great power and tenderness and has mastered the terrible in nature, for which the higher men are unready, and he turns from fellow-suffering to his work and the great noonday.
Ludovici reads 'The Sign' as Nietzsche's final dissociation from the higher men: the lion and doves show that he unites great power and tenderness and has mastered the terrible in nature, for which the higher men are unready, and he turns from fellow-suffering to his work and the great noonday.