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Third Part · LIII. The Return Home

Human hubbub: everything talks, nothing deepens

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But down there—there speaketh everything, there is everything misheard. If one announce one’s wisdom with bells, the shopmen in the market-place will out-jingle it with pennies!

Everything among them talketh; no one knoweth any longer how to understand. Everything falleth into the water; nothing falleth any longer into deep wells.

Everything among them talketh, nothing succeedeth any longer and accomplisheth itself. Everything cackleth, but who will still sit quietly on the nest and hatch eggs?

Everything among them talketh, everything is out-talked. And that which yesterday was still too hard for time itself and its tooth, hangeth to-day, outchamped and outchewed, from the mouths of the men of to-day.

Everything among them talketh, everything is betrayed. And what was once called the secret and secrecy of profound souls, belongeth to-day to the street-trumpeters and other butterflies.

O human hubbub, thou wonderful thing! Thou noise in dark streets! Now art thou again behind me:—my greatest danger lieth behind me!

Down among men everything talks, is misheard, out-talked and betrayed, and nothing hatches or reaches the deep wells. He says his greatest danger now lies behind him.

Commentary on this chapter

Nietzsche elsewhere

Inspiration as revelationFriedrich Nietzsche · Ecce Homo, 1888Nietzsche

Nietzsche says that Zarathustra was written under an inspiration of revelatory force: thoughts flashed like lightning without choice, in an ecstasy where painful parts were required shades of light, and images offered themselves involuntarily, as Zarathustra says, 'all things came to one, and offered themselves as similes'.

What the critics said

The lies of pity and the mountain airGeorg Brandes · Aristocratic Radicalism, 1889exposition

Brandes says that Zarathustra's greatest danger among men lay in forbearance and pity, which taught him to lie among the good, and that he returns to the free mountain air to sit among broken and half-written tables awaiting the hour when the lion comes with the doves.

The lies of pity and the mountain airGeorg Brandes · Aristocratic Radicalism, 1889exposition

Brandes says that Zarathustra's greatest danger among men lay in forbearance and pity, which taught him to lie among the good, and that he returns to the free mountain air to sit among broken and half-written tables awaiting the hour when the lion comes with the doves.

Elisabeth Förster-Nietzsche, Introduction to Thus Spake Zarathustra (1905) — Partisan source: the author shaped Nietzsche's posthumous reputation and is not a reliable interpreter.
Nietzsche's account of inspirationElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905biography

Förster-Nietzsche quotes Ecce Homo, where Nietzsche describes writing Zarathustra as inspiration in the old sense: thoughts flashing up like lightning with necessity, ecstasy, and an involuntariness of images in which all things seem to come and want to become similes.

Pity as Nietzsche's greatest dangerAnthony M. Ludovici · Notes on Thus Spake Zarathustra, 1909biography

Ludovici reads 'The Return Home' as autobiography: Nietzsche confesses that pity was his greatest danger, pitting the lawgiver's far-sighted love of posterity against a meaner sympathy for the neighbour from which he suffered, and returning to solitude to recover from his attempt to be all things to all men.