“The Vision and the Enigma” is perhaps an example of Nietzsche in his most obscure vein. We must know how persistently he inveighed against the oppressing and depressing influence of man’s sense of guilt and consciousness of sin in order fully to grasp the significance of this discourse. Slowly but surely, he thought the values of Christianity and Judaic traditions had done their work in the minds of men. What were once but expedients devised for the discipline of a certain portion of humanity, had now passed into man’s blood and had become instincts. This oppressive and paralysing sense of guilt and of sin is what Nietzsche refers to when he speaks of “the spirit of gravity.” This creature half-dwarf, half-mole, whom he bears with him a certain distance on his climb and finally defies, and whom he calls his devil and arch-enemy, is nothing more than the heavy millstone “guilty conscience,” together with the concept of sin which at present hangs round the neck of men. To rise above it—to soar—is the most difficult of all things to-day. Nietzsche is able to think cheerfully and optimistically of the possibility of life in this world recurring again and again, when he has once cast the dwarf from his shoulders, and he announces his doctrine of the Eternal Recurrence of all things great and small to his arch-enemy and in defiance of him.
criticism · Notes: Part III
Definition of the spirit of gravity
Ludovici defines Nietzsche's 'spirit of gravity' as the oppressive, paralysing sense of guilt and sin.
On Zarathustra
- The spirit of gravityA crisp identification of the spirit of gravity with guilt and sin.