Cold souls, mules, the blind and the drunken, I do not call stout-hearted. He hath heart who knoweth fear, but VANQUISHETH it; who seeth the abyss, but with PRIDE.
Zarathustra asks the higher men whether they have anchorite and eagle courage, not courage before witnesses. He says that courage means grasping the abyss with an eagle's talons.
- War, the warrior and courageCourage is defined as knowing fear and vanquishing it, seeing the abyss with pride.
What the critics said
Mencken argues, quoting Zarathustra's reply to the market-place crowd that God is dead, that belief in equality and brotherhood is the mob-morality of the ancient Jews credited to their god, and that since educated men no longer believe in that god it is ridiculous to keep the ethics grounded on him.
Mencken argues that the superman will be perfect in body and mind, delight in combat, say yes to life's pleasures and ills, be scornful, merciless and free of fear of gods and laws, owe nothing to his neighbours and sacrifice himself only for generations unborn; he will distinguish instinct from passion and renounce from expediency, as Zarathustra's sayings to the brethren and to the higher men are taken to show.
Ludovici argues that depriving a higher man of his so-called wickedness may do violence to the greatest in him, and that the noblest wickedness, that of courage and determination, is vanishing under slave-moralities, which is why Nietzsche cried that man's baddest is so small and that to be brave is good.
Ludovici holds that Zarathustra's greeting confirms his thesis that the philosophy aims to give higher men the great hope, but harshly: Nietzsche would be a hard bed to higher men, making them harder, not easing their way.
Ludovici calls Nietzsche's principle that the higher the type the seldomer it succeeds very important: the most deplorable waste is among higher individuals, because highly organised beings rarely reach full development, so the blind will to power in nature needs direction by man.
Ludovici explains that the closing paragraphs of 'The Higher Man' protest against democratic seriousness: all that is good is cheerful, being able to joke about one's deepest feelings tests their value, and the greatest sin was the word 'Woe unto them that laugh now!'
Ludovici explains that the closing paragraphs of 'The Higher Man' protest against democratic seriousness: all that is good is cheerful, being able to joke about one's deepest feelings tests their value, and the greatest sin was the word 'Woe unto them that laugh now!'