Thereupon did Life look thoughtfully behind and around, and said softly: “O Zarathustra, thou art not faithful enough to me!
Thou lovest me not nearly so much as thou sayest; I know thou thinkest of soon leaving me.
There is an old heavy, heavy, booming-clock: it boometh by night up to thy cave:—
—When thou hearest this clock strike the hours at midnight, then thinkest thou between one and twelve thereon—
—Thou thinkest thereon, O Zarathustra, I know it—of soon leaving me!”—
“Yea,” answered I, hesitatingly, “but thou knowest it also”—And I said something into her ear, in amongst her confused, yellow, foolish tresses.
“Thou KNOWEST that, O Zarathustra? That knoweth no one—”
And we gazed at each other, and looked at the green meadow o’er which the cool evening was just passing, and we wept together.—Then, however, was Life dearer unto me than all my Wisdom had ever been.—
What the critics said
Brandes says that the midnight clock's song closing the Second Dance Song, interpreted line by line in Part IV, concentrates Nietzsche's esoteric doctrine in its shortest formula: joy and woe are inseparable, saying Yea to one joy is saying Yea to all woe, and all joy wants deep eternity.