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krytyka · An Essay on Aristocratic Radicalism

Masy jako kopie, tła i narzędzia

Brandes przedstawia arystokratyczny zarzut Nietzschego wobec historii pisanej z punktu widzenia mas: masy są tylko lichymi kopiami, tłem lub narzędziami wielkich jednostek, a to, co najwyższe, nigdy na nie nie działa, więc masowy sukces religii świadczy przeciw wielkości jej założyciela.

Tekst oryginalny (angielski)

Significant of Nietzsche's aristocratic tendency, so marked later, is his anger with the deference paid by modern historians to the masses. Formerly, he argues, history was written from the standpoint of the rulers; it was occupied exclusively with them, however mediocre or bad they might be. Now it has crossed over to the standpoint of the masses. But the masses--they are only to be regarded as one of three things: either as copies of great personalities, bad copies, clumsily produced in a poor material, or as foils to the great, or finally as their tools. Otherwise they are matter for statisticians to deal with, who find so-called historical laws in the instincts of the masses--aping, laziness, hunger and sexual impulse. What has set the mass in motion for any length of time is then called great. It is given the name of a historical power. When, for example, the vulgar mob has appropriated or adapted to its needs some religious idea, has defended it stubbornly and dragged it along for centuries, then the originator of that idea is called great. There is the testimony of thousands of years for it, we are told. But--this is Nietzsche's and Kierkegaard's idea--the noblest and highest does not affect the masses at all, either at the moment or later. Therefore the historical success of a religion, its toughness and persistence, witness against its founder's greatness rather than for it.