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Introduction to Thus Spake Zarathustra

Elisabeth Förster-Nietzsche · 1905 · in the Common translation, 1909

The sister's account of the book's origins. She controlled the Nietzsche archive and edited his legacy to suit her own nationalist and antisemitic politics; read her as a source to be checked, not an authority.

Partisan source: the author shaped Nietzsche's posthumous reputation and is not a reliable interpreter.

11 excerpts

How Zarathustra came to be

Zarathustra as Nietzsche's most personal workElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905biography

Förster-Nietzsche says that Zarathustra is her brother's most personal work, the history of his friendships, raptures and disappointments, and that the figure had haunted his dreams since childhood before he identified it with the Persian prophet, citing his note on the Persian idea of a prophet's thousand-year 'Hazar'.

The Superman as an early ideal of great individualsElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905interpretation

Förster-Nietzsche argues that the Superman ideal was already present in Nietzsche's writings of 1873–75 as the hope of rearing great individuals, the youthful view that mankind's object lies in its highest specimens; in Zarathustra this ideal is placed in the future and veiled in becoming, beyond even the Saviour, since 'never yet hath there been a Superman'.

Rearing the Superman through new valuesElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905interpretation

Förster-Nietzsche argues that 'rearing the Superman' means transforming man by new, higher values that must replace the Christian valuations born of the resentment of the weak; the Superman is not a remote fancy or a new Darwinian species but a possibility present men could realise by adopting the new values, just as Christianity once transvalued Graeco-Roman values within a short time.

Great healthiness as precondition of the SupermanElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905interpretation

Förster-Nietzsche reports that Nietzsche's notes use 'Superman' for the most thoroughly well-constituted type as opposed to modern man, that he treated Zarathustra himself as an example of it, and that in Ecce Homo he named 'great healthiness', described in Gay Science 382, as the physiological condition of this type.

Eternal recurrence at Silvaplana, August 1881Elisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905biography

Förster-Nietzsche says that the book came into being in August 1881 at Sils Maria, when the idea of eternal recurrence, which Nietzsche in Ecce Homo calls the fundamental idea of the work and the highest formula of Yea-saying, struck him beside a rock near Surlei, and that he then resolved to reveal it through Zarathustra; the first plan was headed 'Midday and Eternity'.

Recurrence as the fundamental ideaElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905biography

Förster-Nietzsche quotes Nietzsche saying that eternal recurrence, the highest formula of a Yea-saying philosophy, is the fundamental idea of Zarathustra and first occurred to him in August 1881.

Forsaken by friends, he created a friendElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905biography

Förster-Nietzsche says that just as Nietzsche's health recovered in 1881, bitter disappointments with friends made him feel the horror of loneliness, and finding no one who could follow him he created a perfect friend in the figure of a majestic philosopher and made him the preacher of his gospel.

Composition of Parts One and TwoElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905biography

Förster-Nietzsche records that Part One was written in about ten days at Rapallo in February 1883, finished in the hour of Wagner's death, that it was met with incomprehension, that the 'Night-Song' was composed in a gloomy, lonely spring in Rome, and that Part Two was written in ten days at Sils Maria in summer 1883.

Nietzsche's account of inspirationElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905biography

Förster-Nietzsche quotes Ecce Homo, where Nietzsche describes writing Zarathustra as inspiration in the old sense: thoughts flashing up like lightning with necessity, ecstasy, and an involuntariness of images in which all things seem to come and want to become similes.

Parts Three and Four; the private printingElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905biography

Förster-Nietzsche records that Part Three was written in Nice in winter 1883–84, 'Old and New Tables' composed on the climb to Eza amid bodily vigour and dancing, and that Part Four, written 1884–85 with interruptions, was meant 'only for my friends', printed in forty copies of which he gave away only seven, while he still planned a fifth and sixth part.

Why the name ZarathustraElisabeth Förster-Nietzsche · Introduction to Thus Spake Zarathustra, 1905interpretation

Förster-Nietzsche quotes Nietzsche explaining that he chose Zarathustra because the Persian prophet created the error of morality, making good and evil the wheel of things, and so must be the first to perceive it; being the most truthful thinker, his name stands for the self-overcoming of morality through truthfulness.