Oh, ye only is it, ye dark, nightly ones, that extract warmth from the shining ones! Oh, ye only drink milk and refreshment from the light’s udders!
Ah, there is ice around me; my hand burneth with the iciness! Ah, there is thirst in me; it panteth after your thirst!
‘Tis night: alas, that I have to be light! And thirst for the nightly! And lonesomeness!
‘Tis night: now doth my longing break forth in me as a fountain,—for speech do I long.
‘Tis night: now do all gushing fountains speak louder. And my soul also is a gushing fountain.
‘Tis night: now do all songs of loving ones awake. And my soul also is the song of a loving one.—
Thus sang Zarathustra.
Nietzsche elsewhere
Nietzsche says that 'The Night-Song' was composed in Rome above the Piazza Barberini, the second part in ten days at Sils, the third at Nice, with 'Old and New Tables' composed on the climb from the station to Eza, each part taking no more than ten days; his creative energy coincided with great bodily vigour, dancing, walking and laughter.
Nietzsche says that Zarathustra speaks to his soul in the dithyramb, of which he is the inventor, citing 'Before Sunrise', and presents 'The Night-Song' as the immortal plaint of one condemned by his superabundance of light and power never to love.